Showing posts with label Neu!. Show all posts
Showing posts with label Neu!. Show all posts

Thursday, 20 June 2013

David Bowie is (part 17): 'Wir sind dann helden, für einen tag'

After the first tour with Iggy Pop, David Bowie declined to join a second because, in his own words, "the drug use was unbelievable, and I knew it was killing me". However on 16 April 1977 he began producing another album for Iggy Pop, Lust For Life. Once again Bowie had some songs written which Pop added lyrics to, most of which he took just as Bowie had written with one notable exception. The song 'Success' Pop described as a "damn crooning thing". He stripped down the melody and made it his own. One song Bowie didn't write but did have a hand in, in a roundabout way, was 'The Passenger'. Bowie heard guitarist Ricky Gardiner playing around with some chords and urged Pop to use it to write another song which, of course, he did. When the album was released in August it reached number 28 in Britain, still Iggy Pop's most successful album here (Click to hear 'Lust For Life', 'The Passenger', 'Tonight', 'Success' and 'Neighbourhood Threat').

As with The Idiot so with Lust For Life, David Bowie used making an album with Iggy Pop as a way of developing ideas for his own next album. The heart of the 'Berlin Trilogy' the next album, "Heroes", was the only one entirely recorded in Berlin, during July and August. Co-producer Tony Visconti described Berlin at that time as both "a dream... and [a place] where everything said, "We shouldn't be making a record here"". The main Hansa studio was right by the Berlin Wall. Visconti says it was "really scary. We recorded 500 feet from barbed wire, and a tall tower where you could see gun turrets, with foreign soldiers looking at us with binoculars." This set the tone for the sessions.

They were joined by Alomar, Davis and Murray plus Brian Eno once more. The only song Bowie had worked out before reaching the studio was 'Sons of the Silent Age', an interesting track as Bowie employs a singing style from a much earlier time in his career, around 1967. 'V-2 Schneider' is a reference to German rockets from the time of the second world war and the founder of Bowie's favourite German electronic band Kraftwerk, namely Florian Schneider. Again Bowie employed the technique of writing the songs at almost the same time as recording them, in the case of the title track quite literally. Bowie had watched Pop improvising lyrics as he recorded them or finalising them at the last minute and he adopted the same technique on the song "Heroes". Visconti says, "He would scribble down a few notes on the top of the piano, then say, "OK, drop me in after 'Dolphins can swim'." And that way he wrote and sang "Heroes" simultaneously. At the end of half an hour we had a complete vocal." Of course the song also namechecks the Berlin Wall itself, the scene of a romantic moment. Bowie claimed to have seen two lovers share a kiss by the Wall. Later Tony Visconti claimed it was him and his girlfreind although she has since denied it. Strangely, the song that would become Bowie's best known and his fans' favourite only reached number 24 in Britain. The album, however, when it was released in October made number 3.

"Heroes"
All lyrics written by David Bowie; all music composed by Bowie, except where noted.

Side one

  1. 'Beauty and the Beast' – 3:32
  2. 'Joe the Lion' – 3:05
  3. ''Heroes'' (Bowie, Brian Eno) – 6:07
  4. 'Sons of the Silent Age' – 3:15
  5. 'Blackout' – 3:50

Side two

  1. 'V-2 Schneider' – 3:10
  2. 'Sense of Doubt' – 3:57
  3. 'Moss Garden' (Bowie, Eno) – 5:03
  4. 'Neuköln' (Bowie, Eno) – 4:34
  5. 'The Secret Life of Arabia' (Bowie, Eno, Carlos Alomar) – 3:46
 


On 9 September 1977 David Bowie began promoting his new album and single with a TV appearance on the new show of his old rival and friend Marc Bolan, called 'Marc'. Bolan's new band was essentially Bowie's old one, namely Tony Newman and Herbie Flowers. When Bolan explained he wanted Bowie to join them for a jam at the end of the show Bowie told him he hadn't brought a guitar. Bolan handed him a vintage Fender Stratocaster and insisted he keep it. Bolan was apparently upset when it became clear that Bowie wanted to play the guitar part himself on the backing track that would accompany him on his performance of "Heroes" (see it here), understandable given it was the first time it had been performed on TV. Bowie showed the song to Newman and Flowers and they picked it up immediately. At the end of the show Bolan announced 'a new song' and they went into the jam (see it here). As Bowie began to sing Bolan attempted to stand on a monitor, missed it and fell off the stage. The camera zooms in on Bowie grinning and the credits roll. The recording of the show was already running very late and the cast of 'Coronation Street' were waiting to begin filming. The unionised crew refused to go into overtime and the show had to go out like that. It wouldn't have been so tragic but for the fact that by the time the show went out Bolan was dead. His girlfriend crashed the purple Mini GT he was in into a tree on the south side of Barnes common around 5am on 15 September. Bowie was devastated by Bolan's death and attended his funeral.

After keeping a low profile during the previous year (the cover of the album 'Low' is a visual pun as in the word 'Low' and a shot of Bowie in profile) Bowie was now doing lots to promote his new material. After his appearance on Marc, Bowie recorded a Christmas special with Bing Crosby. The small talk may have been scripted and appear fake but the politeness and friendliness was apparently genuine. Bowie appeared relaxed, clean-cut and healthy which was a reasonably honest portrait of him at this time. On his up-coming tour he did have one notorious 24-hour coke bender, but that aside Bowie was now living a much cleaner lifestyle. Here is his duet with Bing and here is his specially pre-recorded video of "Heroes" for the 1977 Bing Crosby Christmas Special.
 
Next time: Gigolos, voyages and a stage

Friday, 14 June 2013

David Bowie is (part 15): 'Don't let me hear you say life's taking you nowhere'

In October 1975, at the height of his cocaine habit, David Bowie went into Cherokee Studios in LA, a 24-track recording studio, to record his tenth studio album Station to Station. With guitarists Carlos Alomar, Earl Slick, bassist George Murray and drummer Dennis Davis, Bowie produced an album that was the result of "experimentation - and don't worry about how long it takes", as Bowie put it. Bowie went into the studio with nothing written, a way in which he had never worked before but almost always would in future.

It turned out to be a transitional album in more ways than one. Musically, it develops the funk and soul music of Young Americans, while presenting a new direction towards synthesisers and motorik rhythms that was influenced by German electronic bands such as Kraftwerk and Neu!. These elements would be more fully explored on later albums. Station to Station was also a move away from America, which he had now cracked, towards Europe. Indeed it is an album that stands between the American and European traditions of music. The album’s lyrics reflected his preoccupations with Nietzsche, Aleister Crowley, mythology and religion, including Buddhism and Christianity. With the character from 'The Man Who Fell to Earth', Thomas Jerome Newton staying with him (the album cover is a still from the film), Bowie developed the character of the Thin White Duke. Impeccably dressed in white shirt, black trousers and waistcoat, he was a hollow man, "throwing darts in lovers' eyes", who sang songs of romance with an agonised intensity, yet felt nothing, "ice masquerading as fire".
 
 
Bowie had done what he would advise others to do, "do the contrary action - do something you're not used to. Let's not make it comfortable - let's make it uncomfortable". Bowie claims to remember almost nothing of the album's production, not even the studio, later admitting, "I know it was in LA because I've read it was". The singer was not the only one doing copious amounts of cocaine during the sessions. Carlos Alomar has said, "if there's a line of coke which is going to keep you awake till 8 a.m. so that you can do your guitar part, you do the line of coke... the coke use is driven by the inspiration." Like Bowie, Earl Slick had somewhat vague memories of the recording: "That album's a little fuzzy—for the obvious reasons! We were in the studio and it was nuts—a lot of hours, a lot of late nights." The first single 'Golden Years' was released in November 1975, two months before the album. It reached number eight in Britain and number ten in America. Station to Station was released in January 1976 and it reached number five in Britain and number three in America.

Station to Station
All songs written by David Bowie, except where noted.

Side one


  1. 'Station to Station' – 10:14
  2. 'Golden Years' – 4:00
  3. 'Word on a Wing' – 6:03

Side two


  1. 'TVC 15' – 5:33
  2. 'Stay' – 6:15
  3. 'Wild Is the Wind' (Ned Washington, Dimitri Tiomkin) – 6:02
 


In 1975, shortly before the release of the album, Bowie appeared as the Thin White Duke on an American chat show, Dinah Shore. As well as the interview and a bizarre karate lesson, Bowie performed a song from the album, 'Stay' as well as 'Five Years' from ...Ziggy Stardust...

You can watch the show by clicking on the following clips:
1. Performance of 'Stay'.
2. Interview with Dinah Shore
3. Interview with Dinah Shore and Henry Winkler (Fonzie from Happy Days)
4. Karate lesson
5. Performance of 'Five Years'

In January 1976, David Bowie  renewed his friendship with Iggy Pop before rehearsing for another tour. The 1976 'Station to Station' tour, also known as the 'Isolar Tour', began on 2 February 1976 with 39 arena shows across North America ending the first leg on 26 March where Bowie met Christopher Isherwood at an after-show party. The conversation inspired Bowie to base himself in Berlin rather than Switzerland as he had been planning. The second leg began in April and went across Europe. The dates in Britain were his first shows since Ziggy's farewell show. At one point Bowie and Iggy went on a train trip to Moscow where they met the KGB. The journey through Poland and particularly Warsaw had a profound effect on Bowie and the bleakness led him to write the haunting instrumental 'Warzawa' that would appear on his next album.

Click on each track to listen to it:
1. Station to Station
2. Suffragette City
3. Waiting For The Man
4. Word On A Wing
5. Stay
6. TVC15
7. Sister Midnight
8. Life On Mars / Five Years
9. Panic In Detroit
10. Fame / Changes
11. The Jean Genie
12. Queen Bitch / Rebel Rebel

Next time: Idiots, Berlin and Eno